{"id":263,"date":"2018-02-27T06:54:04","date_gmt":"2018-02-27T06:54:04","guid":{"rendered":"http:\/\/groundfestival.nl\/2018\/?page_id=263"},"modified":"2018-03-05T06:32:35","modified_gmt":"2018-03-05T06:32:35","slug":"cast","status":"publish","type":"page","link":"https:\/\/groundfestival.nl\/2018\/cast\/","title":{"rendered":"Ground Festival Podcast"},"content":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” bg_image=”151″ bg_position=”center center” bg_repeat=”no-repeat” full_height=”yes” parallax_bg=”true” parallax_bg_speed=”slow” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″ shape_divider_position=”bottom” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” width=”1\/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text]\n

Podcast:\u00a0Welcome to Interesting Times?<\/h1>\n[\/vc_column_text]
<\/div><\/div>
<\/div><\/div>[vc_row_inner column_margin=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” width=”1\/2″ column_border_width=”none” column_border_style=”solid”][vc_column_text]If we are welcomed into an interesting era, what will this show in the here-and-now? That’s what we examine in this podcast by talking with various socially engaged, political or activist artists working in ‘ broedplaatsen’ in\u00a0The Hague. Warning: most of the interviews are in Dutch.<\/p>\n

Starting point of the conversations is the text<\/a> that Sis wrote. The work of the artists will be exhibited on the 17th of March in the Grey Space in The Hague.<\/p>\n

Sis Josip, Eveline de Jonge, Eveline Cleiren and Jonne Verhoog[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_position=”all” centered_text=”true” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” width=”1\/2″ column_border_width=”none” column_border_color=”#ff5a5f” column_border_style=”solid”][vc_raw_html]JTNDaWZyYW1lJTIwc3JjJTNEJTIyaHR0cHMlM0ElMkYlMkZ3d3cucG9kb21hdGljLmNvbSUyRmVtYmVkJTJGaHRtbDUlMkZwb2RjYXN0JTJGNTc0MTE0NCUzRnN0eWxlJTNEc3F1YXJlJTI2YW1wJTNCYXV0b3BsYXklM0RmYWxzZSUyMiUyMGFsbG93ZnVsbHNjcmVlbiUzRCUyMnRydWUlMjIlMjBzdHlsZSUzRCUyMndpZHRoJTNBJTIwNTA0cHglM0IlMjBoZWlnaHQlM0ElMjA1MDRweCUzQiUyMiUzRSUzQyUyRmlmcmFtZSUzRQ==[\/vc_raw_html][\/vc_column_inner][\/vc_row_inner]

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<\/div><\/div>[vc_column_text]\n

Welcome to interesting Times?<\/h2>\n

 <\/p>\n

Still at the start of the 21 st century, we are welcomed to an interesting era.
\nBut what about the present defines it as interesting? This time, in which one football player can cost
\nas much as the entire museum Voorlinden. In which governments no longer run their countries, but
\nrather adjust laws to the needs of multinationals and international cooperation. A time in which the
\nmedia lies to us, and it\u2019s hard to tell if anybody is still interested in the truth. In which inequality has
\nbecome normality thanks to the rich European hold on power.
\nA time in which East-European philosopher Slavoj \u017di\u017eek promotes an end to capitalism, just like his
\npredecessors Hegel and Marx. An opinion that is shared by our Pope: \u201cThe adoration of capital
\nbrings on poverty and terrorism.\u201d
\nBut that very same capitalism has brought on vast prosperity for half of the world, in which we can
\nnow reach everyone, go everywhere, and where we can possibly expect a general minimum wage in
\nthe near future. If you don\u2019t believe in the circulating conspiracy theories, or don\u2019t profit from them,
\nit is hard to view current conflicts as one worldwide construct. Rather, you\u2019ll see a spread out
\npattern of hostilities and confrontations, some more horrible than others.
\nWill equality to men stay at the very top of the feminist agenda? Or will these times rather show an
\nembrace of female talent, with a focus on nurturing these to make the difference in our future? How
\nwill we treat our animals and plants in a world with more than 8 billion mouths to feed? Will we turn
\nto urban farming or rather grow our meat in labs? Have the arts been fully adapted to function in the
\nentertainment industry, or is there a lasting effort to grasp what we can\u2019t yet see? Does the creative
\nlayer in society ascend above the economical benefits of the gentrification process they so
\npassionately progress?
\nAre we at the start of a new era? Where we clean our earth, respect each other, and leave the hard
\nwork to robots while we jump from festival to holiday destination and from the latest gaming
\nexperience to the most recent fashion trend?
\nOr are we experiencing a spiralling fear, our mood swept on by the next news item, our view of the
\nworld reduced to a screen and our hearts in search of the high of small success and new
\nrelationships? Do we live in a time in which booze and drugs have become a staple in our diet, and
\nwe can\u2019t manage to escape the manipulation directed by multinationals?
\nIf we are indeed entering a new, interesting era, then where will it manifest? Should we look
\namongst the richest youngsters, dictated by Quote magazine? To the innovation that spans
\nindustries from 3D printers to drones? Can we see it represented by the modern feminists and their
\nJanuhairy? Or perhaps in the event-, gaming- or fashion industry?
\nNone of the above. From the 1 st of January 2018, together with Eveline de Jonge, I will attempt to
\nfind proof of these Interesting Times amongst the work of The Hague resident artists. This research
\nwill be documented and presented in a podcast, in addition to an exhibition of the results on the
\n17 th of March.<\/p>\n

 <\/p>\n

Sis Josip (1959, Amsterdam)<\/h3>\n

Autodidact. Visual artist, painter: realistic, women, nude.
\nMoved to The Hague in 1981. Religion: Catholic
\nDevelops and realizes conceptual research projects with the resulting artworks and
\npublications.
\nExamples are projects De zoektocht naar Onvoorwaardelijke Schoonheid (a search for
\nunconditional beauty) and Der Himmel on Earth (Heaven on Earth).
\nInitiator at HOOP warehouse, fashion label Hector&Wolf and the Sis Josip gallery.<\/p>\n

Eveline de Jonge (1992, Goes)<\/h3>\n

Lives in Rotterdam since 2010 where she completed a bachelor in autonomous visual arts at
\nWillem de Kooning Academy, in addition to a master of law at Erasmus University.
\nWorks as a lawyer at Solon Lawyers in The Hague since the start of 2017, where she
\nfocuses on supporting (creative) entrepreneurs with copyright, privacy and contract law. She
\nis a big fan of podcasts and has developed a touch for initiating and organising through her
\nown social art practice.<\/p>\n

Eveline Cleiren (1988, Goes)<\/h3>\n

Studied Cultural Sciences at the Maastricht University, where she specialized herself in i.a.
\nthe art trade and enterprise collections. Lives in The Hague. Works as an advisor in
\nMiddelburg since 2017, where she supports cultural programs in regional education. In
\naddition to her role as advisor, she enjoys involvement in a range of art projects in- and
\noutside of The Hague.<\/p>\n

Jonne Verhoog (1995, Amsterdam)<\/h3>\n

Moved to The Hague at the start of 2017, where she graduated as industrial designer at The
\nHague University. Works as personal assistant for Sis Josip during GROUND festival and
\nthe Der Himmel on Earth project. Enjoys viewing, discussing and creating art. Uses
\nphotography and design to search for beauty in triviality[\/vc_column_text]

<\/div><\/div>[\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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